On Old Age
Instead, it was a hodgepodge of previously written essays and articles he has written that were not well integrated. Further, it was far too jokey for my taste. There’s nothing funny about growing old, at least my experience of growing old and I suspect that is generally the case.
At the age of 43 Kinsley learned he had Parkinson’s disease. He tried to keep his illness secret until it became obvious whereupon he made it known. He also underwent deep brain stimulation that appears to have slowed the progress of his symptoms. In fact, it is clear that 23 years after his disease was diagnosed, he hasn’t lost his “marbles,” as he frequently reminds the reader.
At the outset Kinsley says his book is supposed to be “about the baby boom generation—those born between 1946 and 1964—as they enter life’s last chapter.” But in spite of its title, the book has very little to say about old age, other than the Parkinson’s Disease. And even then, we learn very little about his particular symptoms and problems in coping with it.
The book also ends with a message to the baby boomers. He argues that the enormous personal and national debt his generation leaves behind has to be redeemed, in the same way the “Greatest Generation” did during World War II.
“What we can do is…pass on to the next generation an American that’s free from debt. Instead of ignoring it, or arguing endlessly about whose fault it is and who should pay for it, boomers as a group should just reach out and grab the check.”
I thought what a strange way to end a book on old age. But then I realized Old Age: A Beginner’s Guide wasn’t really about old age at all. Rather it was about how clever Michael Kinsley is in his early 60s.
I don’t usually comment on a book I don’t like. But in my reading Kinsley’s book seems both pretentious and misleading, both features missing from Donald Hall’s Essays After Eighty.
Yet he is alert and tries to read and write, but not with the same facility he once had. He remains oddly cheerful, in spite of being largely disabled and alone. He gets around in a wheelchair and with little appetite eats frozen dinners, is clumsy and slow with buttons, etc.
The book is more of an old-age lament, rather than a group of essays on the art of poetry, as I was expecting given his life as a much-praised and award-winning poet. Instead, Hall writes about how the mail is delivered, his wives, their travels, his cancers and the one that killed his beloved wife and fellow poet, Jane Kenyon.
He recounts how each day is much the same now as any other. He no longer travels and friends rarely visit. Most are long gone. So he reminisces about almost-forgotten times He’s also periodically visited by a bookkeeper, trainer, housekeeper and companion, all women in their 50s.
He comments, “When I lament and darken over my diminishments, I accomplish nothing. It’s better to sit at the window all day, pleased to watch birds, barns, and flowers.”
Still he says that, while old age is a “ceremony of losses,” it is still preferable to dying at forty-seven or fifty-two. He’s fortunate to feel that way. I’m not so sure.